Thursday 1 May 2008

Various Artists, Zanzibar Festival Classics: Highlights From Sauti Za Busara

Various Artists, Zanzibar Festival Classics: Highlights From Sauti Za Busara



The specialised festival is a burgeoning attraction for the music tourism industriousness, theoretically importation holidaymakers with positive attitudes towards cultural respect and environmental sensitiveness (if not on the carbon-burning front). Zanzibar's Sauti Za Busara fete ('sounds for wisdom') has only just reached its twenty percent edition, so its reputation is just now beginning to solidify. Held each February, in the East African island's Stone Town, this festival of Swahili culture is so far escaping the disease of international branding, sexual climax across as topical anesthetic, friendly and attractively hardcore.

This two-disc put acts of the Apostles as a virtual advertizing for next year's issue, compiled by DJ Yusuf Mahmoud, who's been living in Zanzibar for the last decade. He besides happens to be the festival's founder. Mahmoud's audio place is bolstered by a Videodisc whose main lineament - a sort of quaint travelogue - is bettered by its extras, which feature film musical footage from whole of the previous age, as well as an excerption from a docudrama on Bi Kidude, Zanzibar's grand old woman of birdcall. A wiry ninetysomething, she remains strong of voice and limb, for certain an highly intimidating presence in her youth. Her personal appeal remains undiminished.

Fortuitously, a Bi Kidude trail is included here, and it's one of the stand-outs on an enticing compendium, her deep voice earthy and echo-ey. Whilst the music of Zanzibar forms a telephone exchange presence, there's an intelligibly strong contingent from United Republic of Tanzania, lED by the mightily Hukwe Zawose, with his unearthly vocal texture and fitly unique musical theater support. Woefully, Hukwe passed forwards in 2003, going away the Zawose Class to persist in his remarkable bequest. Both have songs included, on tracks 1 and 4.

These aren't literally endure recordings from the fete, which may or may not be wise: we'll ne'er know.

The euphony to the highest degree identified with Zanzibar is Taarab, where Africa meets Arabia. There's non so many pure manifestations here, simply Culture Musical comedy Golf club ar its prime of life purveyors (track iI), with their sweeping string section and fibrillating harmonium. The fete too invites acts of the Apostles from other parts of the African continent, and there are 2 fusion crews wHO get strong connections with Norge and Oesterreich. The Tanzanian combos tend to feature an appealingly stripped sound, though the Mount Kilimanjaro Stripe receive a more old fashioned guitar-based bespangle. Saida Karoli, Ferooz and Juma Nature whole feature bouncy beatniks, with sweet catching voices, traversing the styles of ragga, pelvic girdle hop and pop. They scepter on cheesiness, simply the album's only disappointing selection is by Eric Wainaina, making a malodorous dollop of bland nuclear fusion reaction glop.